![]() In 1969, La Cage/Erosmachine was a very early electronic music work by Jean-Michel Jarre who became famous worldwide with the album Oxygene in 1976. ![]() Since then, IRCAM has been an avant-garde institute for science about music, sound and electro-acoustical art music in France.Įarly electronic and space music (1970s) The Institut de Recherche et Coordination Acoustique/Musique was created under his direction. In 1970, the President of France Georges Pompidou asked the composer Pierre Boulez to found an institution for research in new forms of music. Also in 1951, Schaeffer and Henry produced an opera, Orpheus, for concrete sounds and voices. In Paris in 1951, in what was to become an important worldwide trend, RTF established the first studio for the production of electronic music. Later that same year, Pierre Henry collaborated with Schaeffer on Symphonie pour un homme seul (1950) the first major work of musique concrete. "Schaeffer used a PA system, several turntables, and mixers. In 1950, Schaeffer gave the first public (non-broadcast) concert of musique concrète at the Ecole Normale de Musique de Paris. The tape parts were created at Pierre Schaeffer's studio, and were later revised at Columbia University. Another associate of Schaeffer, Edgard Varèse, began work on Déserts, a work for chamber orchestra and tape. ![]() Not long after this, Henry began collaborating with Schaeffer, a partnership that would have profound and lasting effects on the direction of electronic music. Schaeffer employed a disk-cutting lathe, four turntables, a four-channel mixer, filters, an echo chamber, and a mobile recording unit. This was the first " movement" of Cinq études de bruits, and marked the beginning of studio realizations and musique concrète (or acousmatic art). On 5 October 1948, Radiodiffusion Française (RDF) broadcast composer Pierre Schaeffer's Etude aux chemins de fer. The first pieces of musique concrète in Paris were assembled by him, who went on to collaborate with Pierre Henry. This technique involved editing together recorded fragments of natural and industrial sounds. His work laid the foundations of the Musique concrète. In 1942, the French composer and theoretician Pierre Schaeffer, began his exploration of radiophony when he joined Jacques Copeau and his pupils in the foundation of the Studio d'Essai de la Radiodiffusion Nationale.
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